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Greetings from Barcelona, part 2: Casa Vicens and Raima

The Catalan architects led the way with “Moderisme” and created a new architectural language which embraced organic form, nature ,and bright lively colors.

Editor’s note: Berkshire artist Virginia Bradley continues her reporting on the art scene in Barcelona, where her own work “Rapturous Alchemy” is on exhibit now at the Uxval Gochez Gallery.  Click here to read her first Barcelona report.

When considering “Modernist” architects, Le Corbusier, Walter Gropius, Louis Sullivan, and Mies van der Rohe immediately come to mind. Antonia Gaudi certainly does not! But actually, when referring to the Modernists in Barcelona, the term encompasses a group of Catalan architects including architects like Antoni Gaudí, Luis Domènech i Montaner, and Josep Puig i Cadafalch.

During the late 19th and into the 20th century, Catalunya was prospering and Barcelona in particular was filled with a growing number of wealthy patrons who wanted to celebrate Catalunya wealth, ingenuity and independence. Simultaneously, the rest of Spain was in a severe economic depression due to loss of colonial Cuba, Puerto Rico and the Philippines. The conditions were ripe for a Catalan “Renaixança,” a resurgence of Catan traditions and culture.

The Catalan architects led the way with “Moderisme” and created a new architectural language which embraced organic form, nature and bright lively colors. Moderisme was revealed at the 1888 World’s Fair in Barcelona with the opening of Luis Domènech i Montaner ‘s Café building, the first Modernist building. This event paved the way for the bright forms and structures that are the face of Barcelona today. Tourists from all over the globe travel to Barcelona to experience the Modernist’s delightful playful world.

Gaudi’s initial drawing of Casa Vicens 1878 – 80. Photo by Virginia Bradley

Casa Vicens, Gaudi’s first official commission was a summer residence for patron Manuel Vicens i Montaner. Casa Vicens is one of the best examples of Gaudi’s early work and combines ornamentation inspired by lush Mediterranean plant life inter-mixed with geometry. He uses a variety of building materials in the project including ceramic tiles, brick, wrought iron, wood, and papier-mâché. The ornamental iron work throughout the structure is a marvel in itself.

Details of street façade. Photos by Virginia Bradley
Interior garden. Photo by Virginia Bradley
Room at entrance to interior garden (above). Photo by Virginia Bradley

There is consistent attention to detail throughout Casa Vicens. Gaudi is always full of surprises  through the repetition of form and color. Often, he utilizes the view from the casa’s windows to create a play between the interior and exterior of the home.

Looking at and through the casa’s windows. Photo by Virginia Bradley

In another small corner room, a painted mural on a domed ceiling becomes an opening to the heavens and another realm.

A painted mural on a domed ceiling. Photo by Virginia Bradley

Gaudi even disguised the chimneys on the roof.

Chimneys. Photo by Virginia Bradley
Interior staircase, which extends through all five floors of the home. Photo by Virginia Bradley

Casa Vicens has had several different owners. The restoration project to return it to its’ original state began in 2011 and the Casa opened to the public in 2017. If you are in Barcelona, take the time and treat yourself to a visit. The home constantly reinvents itself as you move from room to room and explore the interiors from different angles. Gaudi said “he was turning a little summer house into a palace.” Indeed he did.

Photo by Virginia Bradley 

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Another taste of color

Diane and I stumbled upon an amazing paper store one evening, RAIMA at Comtal, 27.  I have been back three times but haven’t bought anything….yet.

Photo by Virginia Bradley
Photo by Virginia Bradley
Photo by Virginia Bradley
Photo by Virginia Bradley

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And finally, dessert!

Photo by Virginia Bradley
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