The South School location was moved several times during the 1800s. According to "History of Mount Washington, Massachusetts" by Evelyn Shearn, the building was repaired, painted red, and moved to its present location in 1895.
Three-time GRAMMY™ Award-winner Ulysses Owens Jr. is a powerhouse drummer, producer, and educator known for his thrilling performances and innovative approach to jazz.
“The Museum will transform into a playground of wonder, celebrating the mysteries of night, the sparkle of dreams, and the magic of timeless tales,” said The Carle’s Executive Director Jennifer Schantz.
Bridging diverse legacies, the vital present, and an exhilarating future of Indigenous peoples in jazz, the Julia Keefe Indigenous Big Band is an ensemble of Native and Indigenous jazz musicians from across Indian Country.
Without the necessity of adjusting daily routines to allow for stargazing when nightfall is late, as in summer, now it is easier to include children in both morning and evening “eyes to the sky.”
Continuing Pitts’s research exploring Black embodiment, aliveness, and human connection, “Marks of RED” is an Afrofuturistic meditation on the “womb space,” divining the effect that memory has on our experiences, senses, bodies, reality, and our imaginative possibilities.
Five-time Olivier Award winner Imelda Staunton (The Crown) joins forces with her real-life daughter Bessie Carter (Bridgerton) for the very first time, playing mother and daughter in Bernard Shaw’s incendiary moral classic.
The station and a neighboring freight building played a major role in the town’s economic development, bringing paper products, foodstuffs, and quarried marble to nationwide markets, as well as bringing tourists, vacationers, and seasonal residents to area estates, summer homes, and hotels.
The public is invited to Cricket Creek Farm to enjoy delicious food, gorgeous views, animal visits, paintings of New England by Linda Fardella, and family-friendly activities on the lawn and inside their historic event barn.
The exhibition features artists working with portraiture across a range of mediums, considering the idea of the portrait as more than a representation of physical likeness — as a possibility for deeper engagement and vantage into an inner world.
I chose Gary as one of my first profiles in my "Where We Are" series because I know I am not alone in finding “Then & Now” delightful, and I wanted to learn more about the man behind it.
