This “Godspell” isn’t just the folksy, feel-good take on the New Testament that first appeared off-Broadway in 1971. It’s a clarion call of the times, COVID and all. As is. Now.

The way this show works is nothing short of genius: talent and genius.

If this young pianist is capable of awakening in listeners a wholly new and unexpected appreciation of 19th-century piano literature, he will surely make his mark as one of the world's leading purveyors of J. S. Bach's most demanding works for keyboard.

When cello and violin play fiddle lines in octaves at breakneck speed, the effect is exhilarating.

Actor Mark H. Dold and director Julianne Boyd have basically morphed into a single interpretive entity, creating a Harry who cannot be real but managed to be very much so after all.

And here's who will enjoy this recital: those who love low brass, those who dislike low brass and those who are indifferent to low brass.

This week we offer to audiophiles a memoir written by a comedian, a dystopian novel, and an unusual collection of short stories.

In composing one of her most famous works, Edith Wharton proved that the line between reality and fiction can sometimes be a blurry one indeed.

It's all there, right before your eyes. Musicianship at this level is breathtaking to behold.

This week we have two memoirs and a humorous political satire.

Isn't it Romantic? Meet Lord Byron, superstar of then and now.

No decision has been made about live BSO performances during the winter and spring portion of the 2020-21 season running from January to May.

Join us this Sunday for a rendezvous with Romance — Lord Byron — to be followed by Shelley and Keats!

When you know something about the musical proclivities of certain members of the orchestra, it changes the way you hear the music.