Friday, March 20, 2026

News and Ideas Worth Sharing

Leonard Quart

Leonard Quart is Professor Emeritus of Cinema — CUNY and COSI; Contributing Editor, Cineaste; Columnist for Berkshire Eagle; and co-author of American Film and Society Since 1945 —4th Edition (Praeger).

written articles

FILM REVIEW: A retrospective look at Satyajit Ray’s ‘Days and Nights in the Forest’

The delicate, quiet, unaffected "Days and Nights in the Forest" follows four worldly, middle-class men from Calcutta on holiday together in the countryside, where the unfamiliar environment reveals uneasy truths about each of them.

LEONARD QUART: An ever-changing city

Passing in a cab, I can pick up some of the neighborhood’s dynamics looking out of the window.

FILM REVIEW: Fatih Akin’s ‘Amrum’

It is the last days of World War II, with Berlin about to fall. We see the world through the eyes of a sensitive, thoughtful 12-year-old boy, Nanning, whose mother and father are committed Nazis and who still wears his Hitler Youth uniform.

FILM REVIEW: Petra Volpe’s ‘Late Shift’

The film focuses completely on Floria (Leonie Benesch), a single-mom nurse who works under intense pressure to handle an overload of patients. She is compassionate and conscientious but also capable of making mistakes and losing control with one patient.

FILM REVIEW: Maryam Touzani’s ‘Calle Malaga’

Despite its flaws, Carmen Maura as the central figure is able to carry the film and make it much more than a sentimental, heartwarming work about a feisty old woman.

LEONARD QUART: Coping with these times

I have always been a social person, but now, except for my wife, I am often alone much of the time.

LEONARD QUART: As Sen. Raphael Warnock reminds us, ‘the soul of our nation is at stake’

I feel it imperative to write something so I can become more than a passive observer railing impotently at my television, watching government-propagated lawlessness savage a city and its population.

FILM REVIEW: Giuseppe De Santis’ ‘Bitter Rice’

The film acts as a crime melodrama, a romance, an evocation of working-class Italian life, and a plea for social justice.

FILM REVIEW: Alexander Molochnikov’s short film ‘Extremist’

The film reinterprets a real act of protest by Sasha Skochilenko, a young Russian artist who tried to call attention to Putin’s murderous invasion of Ukraine.

LEONARD QUART: Another take on New York City Mayor Zohran Mamdani

Mamdani does not look like a man who will throw up his hands and hide or flee from the difficulties that will inevitably confront him.

FILM REVIEW: The Dardenne brothers’ ‘Young Mothers’

It is not quite a happy ending, but it feels slightly schematic. The whole film is more schematic than most of the Dardennes’ oeuvre, and given that it has four major characters, we learn about their situations but not enough about who they are.

LEONARD QUART: A severed head

For some reason, as years have passed, the image from "Cold Lazarus" has stuck with me—and as I have gotten older, I have finally understood why.

FILM REVIEW: Ady Walter’s ‘SHTTL’

A new film, "SHTTL," (the missing “e” is meant to represent the absence brought about by the Holocaust) offers a fresh take on the Holocaust, depicting the Jewish Eastern European world on the day it began to be destroyed.

LEONARD QUART: The curiosities of memory

I have a feeling that as I get older, I hold on to my boyhood memories more intensely.

FILM REVIEW: ‘Nouvelle Vague’

With this film, Linklater has created an homage to Godard and the New Wave as well.

LEONARD QUART: Observations from reading The Times daily

It is a paper that cannot be skimmed, and it usually takes me more than an hour to read it, and that is with my skipping sections I have little interest in.
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