In short, the woman who cannot decide whether she is GI Jane, Calamity Jane, or Amelia Earhart is a despicable freak whose removal was both justified and overdue.
Many theater companies aspire to recreate faithfully AND freshly great American musicals but few achieve the drama and vitality that’s currently on the Boyd-Quinson Mainstage.
The temptation after the show to dance your way to the parking lot is inescapable. There is so much embedded into the performances that only a director with a vision could have brought to the work.
