Saturday, March 14, 2026

News and Ideas Worth Sharing

HomeArts & EntertainmentTHEATER REVIEW: Elizabeth...

THEATER REVIEW: Elizabeth Ward Land tests out ‘Moondance’ for a three-show run at the Mac-Haydn Theatre

If we are lucky, and I mean really lucky, the theater will find a way to bring the show back at the end of the season.

Moondance

Mac-Haydn Theatre in Chatham, N.Y.
Created and performed by Elizabeth Ward Land
Directed by Matt Castle

“Once in a Very Blue Moon.”

Elizabeth Ward Land’s newest cabaret show, “Moondance,” is very special indeed. It is all about the moon. She is trying it out at the Mac-Haydn Theatre for a three-performance run, and it is over. It is a pity you can’t see it—a genuine pity for the show is remarkable and the singer/storyteller is remarkably brilliant. If we are lucky, and I mean really lucky, the theater will find a way to bring the show back at the end of the season. I would gladly see it again. She doesn’t just sing; she instructs us in moon lore, moon history, and the scientific ramifications of the eight phases of the moon. You are entertained, educated, and enlightened in 90 minutes of shimmering entertainment.

Ms. Land’s beautiful, rangy voice works well in the songs she has chosen for her show. They cover Van Morrison’s “Moondance,” Jay Hawkins’ “I Put a Spell on You,” Jimmy Webb’s “The Moon is a Harsh Mistress,” and Stevie Wonder’s “If It’s Magic,” along with a medley of pop standards and other songs. A major highlight was “Dark Lady” by Johnny Durrill, a song that will haunt me for days.

The excellent quartet of musicians, including Castle, that accompany her through the show make remarkable music in a myriad of styles. It is a great, great show.

spot_img

The Edge Is Free To Read.

But Not To Produce.

Continue reading

AT THE TRIPLEX: Predictions for an unpredictable Oscars

These kinds of hard decisions are exactly what you want at the Oscars: nominees so strong that you may be disappointed when something loses, but you won’t be mad about anything winning.

INTERVIEW: Arcis Saxophone Quartet returns to Linde Center with Bach-inspired program on March 22

The Munich-based ensemble returns to the Linde Center with a program pairing Bach fugues with contemporary preludes, creating a musical conversation between Baroque counterpoint and modern composition.

Boston Symphony DNA Lives On: Large-ensemble chamber serenades at Tanglewood Learning Institute

Members of the orchestra were collectively adept at crafting interpretations that were beautifully conceived and rendered, full of a lively character, precise coordination, and unanimity of execution that spoke to a powerfully shared orchestral culture.

The Edge Is Free To Read.

But Not To Produce.