Monday, May 19, 2025

News and Ideas Worth Sharing

HomeArts & EntertainmentThe final report...

The final report from the 2024 La Biennale Di Venezia

Our last Venetian days: Nicholas Berggruen’s Palazzo Diedo, Teatro La Fenice, Fortuny Factory and Palazzo Nani Bernardo

We returned home to the luscious Berkshires in full bloom at the end of May after our remarkable two-month adventure in Venice. Our last days in Venice were filled with friends and family visiting with us at Palazzo Nani Bernardo. We finally met the “Contessa” whose family had built the Palazzo in the 15th century. We also attended a memorable production of “Don Giovanni” at Teatro La Fenice (Don Giovanni wasn’t killed) and had a private tour of the Fortuny Factory on Giudecca Island. Visiting the ingenious Nicolas Bergguen’s newly renovated Palazzo Diedo was the whipped cream on the tiramisu.

“Window of Declinism 1 and Lantern,” Sterling Ruby at Palazzo Diedo, 2024. Photo by Virginia Bradley

Nicolas Berggruen has a vision ”of linking contemporary art to the past and between the east to the west.” “Janus,” the first exhibition at Palazzo Diedo creates an ethereal silence that envelops visitors as they explore the newly renovated palazzo. The two-year renovation incorporates contemporary site-specific works into the historical backdrop of the early 17th-century palazzo designed by Andrea Tirali. Berggruen’s first entrance into the Venice cultural scene was the opening of Casa dei Tre Oci in 2021. This palazzo on Giudecca Island houses the Berggruen European Institute, “a house of ideas and place for global dialogue presenting an international programme of summits.”

A view into South Korean artist Lee Ufan’s installation at Palazzo Diedo. Photo by Virginia Bradley

If you visit the 2024 Biennale, you will find many apocalyptic views of today’s world and the future.

But there are hopeful moments also, like the image below. I came upon this little girl about eight years old sketching in Sterling Ruby’s installation below at Palazzo Diedo.

Photo by Virginia Bradley

And here is a roundup of what art venues not to miss if you are headed to 2024 La Biennale Di Venezia!

Mexico’s National Pavilion at the Arsenale. Photo by Virginia Bradley

National Pavilions that I recommend: USA, Germany, Australia, France, Uruguay, Belgian, Canada, Congo, Netherlands, Great Britain and  Spain (all at the Giardini), Nigeria ( at Campo Santa Margarita, Dorsoduro), Mexico, Benin and Peru  and the Philippines (at the Arsenale),Portugal (Palazzo Franchetti, San Marco. Just to see the palazzo is worth the trip.)

Chu Teh-chun paintings at the Cini Foundation on Isla de San Giorgio

There are also parallel and collateral exhibitions in Venice at the same time as the Biennale: “Janus” at Palazzo Diedo (San Croce), “Boundaries” (Zattere ), Pinnault Collection (Palazzo Grassi and Punta Della Dogana),  Belinde De Bruyckere, Chu The-chun , Murano Glass 1912-30 and Helmet Newton (Isla San  Giorgio ), “A Journey to the Infinite: Yoo Youngkuk” (Castello), “Your Ghosts Art Mine” (Palazzo Franchetti, San Marco), Eva Jospin (Fortuny Museum, San Angelo)

Please remember that my own installation “Rapturous Alchemy” is at the European Cultural Center. Click here for a video link to “Rapturous Alchemy.” 

And now, a few photographs from the last days of our adventure in Venice…Please feel free to contact me if you would like to hear more about the 2024 La Biennale Di Venezia or visit my studio in Great Barrington.  www.virginiabradley.com, virginiabradleyart@gmail.com

The ceiling of Teatro La Fenice. Photo by Virginia Bradley

 

Stage set at La Fenice for “Don Giovanni.” The set revolved and actually contained 4 different sets – the wallpaper is a copy of a Fortuny design. Photo by Virginia Bradley

The Fortuny Museum presents the life of  the prolific artist and designer Mario Fortuny. Fortuny is probably best known for his sumptuous fabric designs, but he was also renowned for painting, printmaking, sculpture architecture and set design.

Pillows covered with Fortuny Fabrics at the Fortuny Museum on the Giudecca. Photo by Virginia Bradley

 

More textiles at the Fortuny Museum. Photo by Virginia Bradley

 

The palazzo next to the Fortuny factory, collaboration with a French designer. Photo by Virginia Bradley

 

A room in the palazzo next to the Fortuny factory, collaboration with a French designer. Photo by Virginia Bradley

 

The garden at the Palazzo Nani Bernardo. Photo by Virginia Bradley
spot_img

The Edge Is Free To Read.

But Not To Produce.

Continue reading

MAHLER FESTIVAL: First day, First Symphony

I came to Amsterdam to listen to all of Gustav Mahler’s 10 symphonies by some of the world’s greatest orchestras, one each day, consecutively, and his ‘Song of the Earth’, but especially the four movements that comprise his First Symphony.

CONCERT REVIEW: An airy spirit comes to Earth, with flutes, at Tanglewood

While audiences come to concerts expecting to hear a selected menu of scores played as written by (frequently) absent composers, here we were confronted with a totally integrated experience of instrumental and vocal sound, many spontaneously created, as well as lights, body movement, and theater.

THEATER REVIEW: ‘Ragtime’ plays at Goodspeed Musicals through June 15

This is one piece of theater no one should ever miss, and this production is about as good as it will ever get.

The Edge Is Free To Read.

But Not To Produce.