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PREVIEW: Boston Early Music Festival presents Telemann’s ‘Pimpinone’ and ‘Ino’ on June 27 and 28 at the Mahaiwe Performing Arts Center

"From the canny cast to the crack chamber ensemble backing the action, the double bill offered a feast for eyes, ears, and mind." ~ A.Z. Madonna, Boston Globe

A spectacular Tanglewood 2018 season, Leonard Bernstein’s centennial year

Savvy audiences know that when the BSO signals its intention to “go all out” with a production, they attend to every detail in the grandest style, engaging the world’s most accomplished performers.

AT TANGLEWOOD: Sweet serenades, lavish Liszt

Antonín Dvořák’s Serenade for Winds and String Instruments (1878) evokes the 18th century, late-baroque, tradition of outdoor performances on the grounds of the nobility’s castles for the amusement of both the aristocracy and its serfs.

Review: Enchanting Rachmaninoff, lethargic Ninth conclude Tanglewood season

Perhaps, however, in playing this piece year after year to close the Tanglewood season, the BSO has forgotten what a pregnant masterpiece it really is.
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The Edge Is Free To Read.

But Not To Produce.