Saturday, January 25, 2025

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I WITNESS: The return of Captain Wrecking Ball

Although Trump’s modus operandi is to never, ever tell the truth, the threats he made over the past few months and during his campaign were real.

DANCE REVIEW: ‘THE DAY’: A requiem for 9/11

These spoken words, along with Lang’s keening cello score played by Maya Beiser and the unfurling movements of Wendy Whelan (choreographed by Lucinda Child), mourns with devastating understatement the magnitude of loss when the Twin Towers fell Sept. 11, 2001, turning to ashes all those living, breathing, feeling, innocently unaware, engaging lives within.

Bits & Bytes: Elite Picnic Club; ‘Judgment Day’ at the Mahaiwe; youth farming workshop; ‘Movement Without Borders’

Presented by Jen Salinetti of Woven Roots Farm, 'Ag in the Evening' is designed to immerse participants in connection with nature, practical skills for growing food, and critical thinking about the current food system.

Business Briefs: Recognition for Lee Family Practice; Kuczarski joins Salisbury Bank; grant for Austen Riggs; new Jacob’s Pillow trustees

Austen Riggs Center will unite its sophisticated clinical evaluation with contemporary neuroscience and dimensional tools with the goal of studying the “brain-mind connection” and developing better characterizations of psychiatric disorders.

DANCING ON THE EDGE: Recent performances at Jacob’s Pillow

The dancers were not only beyond brilliant technicians, they were consummate actors never overstating their emotions but always sharing them with us.
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