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PREVIEW: Close Encounters with Music presents ‘Mostly Amadeus—Meet the Mozarts!’ March 15 at the Mahaiwe

From Leopold Mozart’s teaching and promotion of his son’s early career to the later compositions of Franz Xaver Mozart, the program traces the musical lineage surrounding one of history’s most celebrated composers.

THEATRE REVIEW: BTG’s ‘What the Jews Believe’ shines with powerful images, great characters

Directed by the author, this play moves from the overly theatrical first act into the honestly realistic second act where tears don't manifest as easily as do other emotional reactions.

REVIEW: BTG’s ‘Working’ an unflinching, eloquent, poignant picture of America

The last numbers of “Working” cut to the bone about what makes work in America uniquely American: the belief that hard work will make it better for the next generation.

THEATRE REVIEW: BTG’s ‘Working’ a terrific, fast-moving tribute to the American worker

Though I hadn't been anticipating much from a 1978 flop show, I had a wonderful time with this production and definitely appreciated its multiple messages so very appropriate to our times.

Bits & Bytes: Free Fun Friday at the Mahaiwe; ‘Tales of Europe’ film fest; Barrington Stage battle of the bands; ‘So This Is My...

Barrington Stage invites local, amateur bands to submit live music for review by Impending Doom, the rock band from Barrington Stage’s upcoming musical “Fall Springs,” who will choose five finalists.

REVIEW: BTG’s ‘Outside Mullingar’ is a blessed respite with a marvelous cast

My enjoyment of 'Outside Mullingar' surprised me; I gravitate to what I refer to as the three D’s of Irish drama: drink, death and doom.

THEATRE REVIEW: BTG’s ‘Outside Mullingar’ an amusing tale of clashing realities

Karen Allen's direction is straightforward and honest and it works very well—her best work in this area yet.

THEATRE REVIEW: BTG’s ‘The Goat’ explores the boundaries of moral code

Albee doesn’t just cut to the bone; he scrapes when he gets there.

THEATRE REVIEW: Edward Albee’s ‘The Goat, or Who is Sylvia?’ a rich, intense evening of theater

Director Eric Hill uses broad strokes to show us the subtlety in Albee's play; he also uses the small things—his actor's reactions, for example—to give us big changes in the inner workings of all four characters.

THEATRE REVIEW: Solid productions of ‘The Glass Menagerie’ and ‘Naked’ conclude a versatile summer theater season

The conclusion of “Naked” is riveting, all the more so for its prescient reverberations to the temper of our times.

THEATER REVIEW: BTG’s ‘Naked’ sizzles with perfection

Pirandello's people are never ordinary and never sound ordinary and, in this new version, they are just right for my taste.

THEATRE REVIEW: BTG’s ‘Sister Mary Ignatius’ ingeniously mixes humor and anger

If “The Actor’s Nightmare” ranks among the blackest of farcical comedy, then “Sister Mary Ignatius Explains It All for You” is among the blackest of black comedy.

THEATRE REVIEW: Two Durangs at BTG: ‘Sister Mary Ingatius,’ promiscuous thoughts, attitudes redefine tragi-comedy

This production, featuring so much talent, is about the best it can be in a world where our expectations of people in power is so often betrayed these days.

THEATRE REVIEW: A safe revival of ‘Hair’ at The Unicorn

I've always had a soft spot in my heart for "Hair," and it was gently and warmly rubbed in the Unicorn Theatre.

THEATRE REVIEW: ‘Hair’ at the Unicorn, not wild enough in an uneven production

Sexual liberation — but in the dark? It just plays silly. Why bother? Act 2, too, has some peculiar directorial choices, especially a cringe-inducing routine involving a poster of Mick Jagger.

THEATRE REVIEW: ‘Church & State’ at the Unicorn, a keenly crafted hilarious tragedy

This play's issues are valid and of daily interest and should be explored in this kind of depth as often as we can have that happen.

Bits & Bytes: Ryan named Simon’s Rock commencement speaker; ‘Noises Off’ at Unicorn Theatre; ‘A World of Fairies’ call for art; ‘The Crash Reel’...

'A World of Fairies: Across the Seven Seas' is a multilevel exhibit at Arrowhead that will feature a collection of one-of-a-kind, artist-created fairy houses.
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