It is always surprising when a play that is now 89 years old still has its get-up-and-go, its gumption, its humor relatively intact and its impact just as imperative as it used to when first seen.
If you are a Noel Coward enthusiast, you get to hear one of his most unusual and least heard musical compositions, “Même les Anges,” rescued for this production through the effort of Playhouse member Judy Staber. For that alone it is worth the price of a ticket.
