Wednesday, January 22, 2025

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A queer and BIPOC spin on Bible stories: ‘A Book By Their Cover’ filmmaker starts crowdfunding campaign for new movie

“I’m retelling a lot of stories in the Bible from more of a queer and BIPOC (Black, Indigenous, and people of color) perspective,” Tedeschi told The Berkshire Edge. “What I’m saying is, why do we accept some of the things that we accept? Why is there racism? Why is there sexism?"

CONCERT PREVIEW: West Stockbridge Chamber Players benefit Old Town Hall and Ukrainian refugees, Sunday, June 26

The West Stockbridge Chamber Players will be performing at the Old Town Hall to benefit the Old Town Hall restoration and contribute to relief funds for Ukrainian refugees. The program will features works from by Franz Xaver Wolfgang Mozart, Arvo Pärt, and Evgeny Orkin.

Part I: Mother and fan — a journey to Kings Theatre

After my husband died, one of my greatest concerns was whether I was capable of raising a son on my own without his father’s guidance, a son whose musical gifts were burgeoning.

PREVIEW: Emerson String Quartet to perform late Beethoven quartets at Tanglewood

Beethoven is the Shakespeare of music. His music is entertaining, but it is also very often a challenge, and it stays with us. We feel its depth and its power. And nowhere is this more true than in the late string quartets.

An overflow crowd for Jeremy Yudkin’s Tanglewood lecture

Now in his 30th year of delivering Tanglewood pre-concert lectures at Lenox Library, Yudkin treated the crowd to a boatload of fascinating but little-known details about three famous pieces of music and the men who created them.

MUSIC REVIEW: Lang Lang opens Tanglewood season with passionate performance of Mozart piano concerto a la Leonard Bernstein

Not everyone appreciates exuberant expressivity in classical music performances, but critics in the year of Leonard Bernstein’s 100th birthday are finding it more difficult than ever to maintain even the appearance of reasoned thinking in their expressions of contempt.

MUSIC: Audacious, contemplative Mozart by Aston Magna

Eric Hoeprich’s basset clarinet sung with exquisite clarity and depth in the Clarinet Quintet, K. 581. All through the piece, his perfectly calibrated, whizzing arpeggios and fluttering thirds resonated like mellow love-calls through the ensemble.

REVIEW: Acclaim for pianists Soyeon Kate Lee and Ran Dank at Close Encounters With Music  

Soyeon Kate Lee’s delivery of Scriabin’s Op. 28 is so manifestly heartfelt that it would be difficult to say whether she owns the piece or is possessed by it.

AT TANGLEWOOD: Three lessons from Mozart’s last three symphonies

My music appeals to amateurs and specialists. The amateurs because they just love it without knowing why; the professionals because they can hear everything I am doing. --Wolfgang Amadeus Mozart

TANGLEWOOD: A sublime Mozart and Schumann mini-marathon

If you ever want to witness a miracle, just watch Christian Zacharias perform a Mozart piano concerto in the dual role of conductor-pianist. You really must see this to believe it.

Lulu ‘n’ Hershey

Lulu in Tattoo World: The intrepid Lulu and Hershey visit a nether world of half-drawn souls.

Bits & Bytes: Lenox Lit Crawl; Berkshire Music School concert; Erik Hoffner photography exhibit

“I thought it was important to portray the subjects of this story primarily with old-fashioned black and white film, since this is a venerable relationship between the farms and these traditional breeds which is now being rekindled. Many of the portraits I was able to create have an antique feel and seem to speak through the centuries.” -- Photographer Erik Hoffner, whose photo exhibit is now on view at Galerie Giroux in Great Barrington

Review: A Brief Encounter with sublime Mozart

Here were four world-class virtuosi tossing off with evident delight a tour de force of scampering runs, perfectly coordinated phrases, and stunning, gorgeous, dynamic surprises. One doesn’t listen to music making like this every week, or for that matter, every year.

Tanglewood: Hard-strung Schumann, sensitive Beethoven, disappointing Mozart

If the BSO really wants to appear more open and accessible to its audience, it should try a heavily reduced-price Shed ticket program for young people and students.
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