Along comes the piano phenom of our age, Daniil Trifonov, in a performance that could also be described as overly dramatic except that it was rendered so powerfully and with so much rhetorical conviction and perfect execution, to such a rousing reception, that it is hard to argue with it.
After anonymous British street artist Banksy’s self-styled month-long New York “residency” in October 2013, Carol Diehl spent several months making a serious investigation into his work.
