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FILM REVIEW: ‘Peter Hujar’s Day’ is undramatic but reverberates deeply

The film evokes a New York City of an earlier era—affordable, filled with junkies and prostitutes, and extremely vital artistically.

THEATRE REVIEW: The Theater Barn’s ‘Witness for the Prosecution’ a fine and subtle piece of stagecraft

Everyone plays his or her role with a sense of Christie's perfect formula for mystery theater. The entire company couldn't be too much better.

REVIEW: Alan Cumming’s ‘Legal Immigrant’ at the Mahaiwe bold and smart

The 90-minute show was packed with about a dozen and half songs, thematically grouped in five sets with some rollicking comedy routines and brash, political commentary in between.
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