Nominated for 10 Tony Awards and Winner of the Pulitzer Prize for Drama, Sondheim’s innovative score explores pointillism in sound before opening out into one of the most glorious choral finales in the repertory.
Mateo was barefoot and had no trouble walking on a narrow path covered with raised, gnarled tree roots and undefined decayed matter. She was glad to be behind him so that he didn’t see her trip every few feet.
