In short, the woman who cannot decide whether she is GI Jane, Calamity Jane, or Amelia Earhart is a despicable freak whose removal was both justified and overdue.
With Uma Thurman’s elegance and nuanced playing, Tom Pecinka’s emotive and visceral credibility, and the other actors’ reality, the play is simply alive onstage.
The play explores one of Strindberg's other favorite themes: the question of the viability of marriage as an institution. The ending isn't a happy one. I'll leave it at that.
