It is always surprising when a play that is now 89 years old still has its get-up-and-go, its gumption, its humor relatively intact and its impact just as imperative as it used to when first seen.
It is always surprising when a play that is now 89 years old still has its get-up-and-go, its gumption, its humor relatively intact and its impact just as imperative as it used to when first seen.