While audiences come to concerts expecting to hear a selected menu of scores played as written by (frequently) absent composers, here we were confronted with a totally integrated experience of instrumental and vocal sound, many spontaneously created, as well as lights, body movement, and theater.
"I personally feel that the Holocaust must be told as history and not as interpretation. It was very real. The scars are very real. And it’s too close."
-- Laura Kruger, curator of the Hebrew Union College - Jewish Institute of Religion Museum
