Friday, November 14, 2025

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Welcome to Real Estate Friday!

Suzann Ward of Housatonic Real Estate offers a stunning post and beam home on beautiful grounds with sensational views in a great location. The biggest challenge for architect Andrew Webster of Graphite Studio was to preserve the charm and character of a two-hundred-year-old building while delivering 21st century performance and comfort. A report on real estate sales in the second quarter of 2025. Plus, recent sales and gardening columns and a home-cooking recipe.

THEATRE REVIEW: Shake & Co.’s ‘Twelfth Night’ has much to love, with small reservations

The trio of fools in this production is less foolish than in many other versions I have seen, but they are more genuine and adorable than in most.

Three Shakespeare comedies highlight Shakespeare & Company’s 2019 season

“The strings of the heart” is artistic director Allyn Burrows’ concept theme for the summer and he has chosen a quartet of very contemporary plays to flesh out the idea.

THEATRE REVIEW: Shakespeare & Co.’s ‘As You Like It’ is lively, active and great fun

There is a nice sense of character development in every one of the players and their use of the language, sometimes difficult to grasp at a single hearing, never loses the audience but keeps attention.

THEATRE REVIEW: ‘Macbeth’ diminished in Shakespeare & Company production

This is a Macbeth for those who know the play well enough to know what's missing, but not for those who know it so well that excisions that abound will destroy the work.

PREVIEW: Delight, deceit and desire at Shakespeare & Company’s 2018 season

The company is offering a 40 percent discount on tickets to full-time, year-round residents of Berkshire County.

THEATRE REVIEW: ‘The Tempest,’ a magical production at Shakespeare & Company

The end result ... is a wonderful two hours and 20 minutes of vintage Shakespeare that is engaging and admirable for its unity and its entertainment.

THEATRE REVIEW: A noble, exceptional ‘Cymbeline’ at Shakespeare & Company

Tackling this play, including editing it cleanly, is an achievement, one that director Tina Packer has undertaken nobly and completed successfully. I would not have missed this for anything.
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The Edge Is Free To Read.

But Not To Produce.