Following the screening, filmmaker Hilan Warshaw joins BBS artistic director and violinist Eugene Drucker for a conversation about Bach’s life, music, and the ideas behind the documentary.
It takes an act and a half to realize that the story Eugene Jerome is telling is less his own and more his mother's story. That revelation came to me with this production—the fifth time I've seen the play.
The director's work is remarkable but perhaps it is his familiarity with this actor that allows such communication to hold onto the character they have jointly created.
Covering three days and nights, the play needs to keep its audience off-balance, and the director and actors do that without artifice and it makes a lot of sense.
With my own theatrical background, it was both a lively and invigorating experience to once again watch a show in this format: Storytelling with acting.
