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I WITNESS: Republican legislators are allowing Donald Trump to destroy our country. So are the Democrats.

Here is exactly what the Democratic Party has done, writ large—or perhaps writ small—to oppose the Trump presidency and the Trump agenda: nothing.

Free chamber music concert

The 22nd St. John’s Summer Free Noontime concert series opens with a performance by Emily Kalish (violin), En-Ting Hsu (viola), and pianist Charles Tsui....

Lich Gate Concerts in the Park!

PLEASE NOTE THAT THE VENUE HAS BEEN CHANGED TO OLD PARISH CHURCH, 125 MAIN STREET, SHEFFIELD, DUE TO WEATHER PREDICTIONS. Experience an enchanting afternoon of...

Pianist Simone Dinnerstein

An audience favorite, this internationally renowned pianist returns for an exciting afternoon of great music. Dinnerstein has performed with many of the world’s finest...

Terra String Quartet

Prizewinners at both the 2023 Melbourne International Chamber Music Competition and 2023 Osaka International Chamber Music Competition, the Terra String Quartet is a vibrant...

A cook bakes

There are chefs who excel in both baking and cooking just as there are musicians, such as Yo-Yo Ma and Peter Serkin, who excel at interpreting classical music scores and improvising over a jazz chart.

Tanglewood tale of two composers

It’s not motion pictures, per se, that invite the classical music world to come to its senses. It’s composers like John Williams and John Corigliano.

AT TANGLEWOOD: Sweet serenades, lavish Liszt

Antonín Dvořák’s Serenade for Winds and String Instruments (1878) evokes the 18th century, late-baroque, tradition of outdoor performances on the grounds of the nobility’s castles for the amusement of both the aristocracy and its serfs.

REVIEW: At Tanglewood, tribute to Steven Stucky, Contemporary Music Festival curator

Stucky’s aim in “Dialoghi” isn’t to torment the cellist. Instead, he intends to endow the cellist with novel powers of expressivity. In this, Stucky succeeds admirably.

Jeremy Yudkin’s April 3 lecture at the Lenox Library: ‘Beethoven at Work’

“Beethoven’s work,” Yudkin explains, “is of such a stature that it warrants constant reviewing and research. We’re dealing here with a genius of the highest purpose, someone on a par with William Shakespeare.”

REVIEW: Acclaim for pianists Soyeon Kate Lee and Ran Dank at Close Encounters With Music  

Soyeon Kate Lee’s delivery of Scriabin’s Op. 28 is so manifestly heartfelt that it would be difficult to say whether she owns the piece or is possessed by it.

Ballet jogging on Prospect Hill — to Borodin

Leif Steinert "jogs" the dirt road off Prospect Hill that leads to Eden Hill at The National Shrine of the Divine Mercy. Watch the video.

REVIEW: Ensemble for Romantic Century unlocks mysteries of Van Gogh and Nature  

"Van Gogh's Ear" is a perfect complement to the many examples of artistic genius on display at the Clark.

AT TANGLEWOOD: The anonymous Yo-Yo Ma

Mr. Ma’s intention, no matter the piece he’s performing, is always to faithfully represent the innermost thoughts and emotions of the composer.

PART II: Tanglewood Music Center at 75: TMC opens on July 8, 1940

“We feel it our duty to hand down the old treasures of Musical Culture to American Youth. Enriched by this culture, the Young People of America will carry it further to new achievement.” -- Serge Koussevitsky, upon the opening of Tanglewood Music Center in 1940

PART I: Tanglewood Music Center at 75: Koussevitsky’s dream

“Throughout my life I have envisioned the establishment of a great music and art center in the world. The United States of America can and are destined to have such a center. American freedom is the best soil for it.” -- Serge Koussevitzky
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