“I’m retelling a lot of stories in the Bible from more of a queer and BIPOC (Black, Indigenous, and people of color) perspective,” Tedeschi told The Berkshire Edge. “What I’m saying is, why do we accept some of the things that we accept? Why is there racism? Why is there sexism?"
It is rare for so many challenges to be met with such a universal reaction, and this company comes so very close to achieving what so few ever have, at least in my years of seeing this play.
Ros Creasy, whom I had the pleasure of visiting in Los Altos this week, taught me about another merging of two seemingly opposing forces, the ornamental and the economic.
