The split screen of the debate was priceless: Trump spewing nonsense, a perpetual scowl on his face, and Harris gazing at him in wonder and amusement as he set a match to his candidacy.
At the beginning of the of Watergate investigation, cartoonist Geoffrey Moss contacted the Washington Post, whose editors were aware of his graphics; however, until then, no captionless art had ever appeared on their editorial pages.
