Saturday, June 21, 2025

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PREVIEW: Boston Early Music Festival presents Telemann’s ‘Pimpinone’ and ‘Ino’ on June 27 and 28 at the Mahaiwe Performing Arts Center

"From the canny cast to the crack chamber ensemble backing the action, the double bill offered a feast for eyes, ears, and mind." ~ A.Z. Madonna, Boston Globe

REVIEW: ‘Billy Budd in the Breadbox,’ Herman Melville as seen by his granddaughter

As the audiobook unfolds, the reader quickly learns of the central tension: Eleanor, a self-proclaimed “great reader,” aspires to devour the books her grandfather has written, despite her mother’s estimation that “a nine-year-old girl wouldn’t understand them yet.”

REVIEW: At Shakespeare & Co., ‘Time Stands Still’ — or maybe not

The most powerful question the piece leaves with the audience is a basic one each person in the theater must face in a lifetime: How do we balance our need for love with our need for self-actualization?

REVIEW: Shake & Co.’s ‘Time Stands Still’ a solid, poignant production

“Time Stands Still” drills down to what’s most important in life. Nicole Ricciardi directs with an invisible, assured hand.

Fall Festival of Shakespeare celebrates 30 years

Students have the opportunity to develop skills in stage combat, performance aesthetics, dance, technical theater, costuming, stage management, marketing and publicity during the Fall Festival experience.

THEATRE REVIEW: ‘Love’s Labor’s Lost’ a hilarious romp by a young company

The young company takes immense pleasure out of teasing the audience, testing one another's mettle and using slapstick techniques with ardor.

Bits & Bytes: Finn Wittrock in ‘Hamlet;’ Pittsfield CityJazz Festival; Berkshire Coaching Weekend; Plein Air event at Olana; college fair at BCC; rain garden...

Most recently Finn Wittrock, who grew up in Shakespeare & Company, was seen in the Oscar-nominated film “The Big Short” opposite Brad Pitt, Ryan Gosling, Christian Bale and Steve Carell.

Review: ‘Private Eyes,’ a play wrapped in mystery wrapped in a play

On leaving the theater afterward all I could think was that I had witnessed something I could never testify to in court and yet I was sure I understood everything in spite of the evidence to the contrary. I love to be challenged and Croy, Dietz and the company have left me feeling just that way.

Part III: The making of a play, ‘Private Eyes’: Something happens

Director Jonathan Croy has bought out the best in this new generation of players and in the newer members of the company.

Preview Part II: “Private Eyes,’ the play itself

“Private Eyes” is not a linear story, told in linear time or space. It is much more real than that. It is like life going on.

Preview Part I: At Shakespeare & Company, ‘Private Eyes’

Director Jonathan Croy sees “Private Eyes” as a perfect reflection of romance in the 1990’s, and “it still works beautifully today.” Because it’s a slice of romance in the here and now — any here and now.

Review: Romeo and Juliet, Shakespeare in the open air

This is such a fun afternoon theater experience that even though the ultimate trio of deaths is tragic and moving, that is not a downer in this production. This show is too much fun to miss.
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The Edge Is Free To Read.

But Not To Produce.