Monday, May 19, 2025

News and Ideas Worth Sharing

HomeArts & EntertainmentREVIEW: Close Encounters...

REVIEW: Close Encounters With Music: ACRONYM Baroque String Band – May 12, 2018

By sheer force of beauty, ACRONYM makes uninitiated listeners fall in love with music they’ve never heard before and know nothing about.

Great Barrington — The ACRONYM Baroque string band turned in a set of dazzling early music performances on Saturday, May 12, at the Mahaiwe Performing Arts Centerin the penultimate presentation of the 2017/2018 season by Close Encounters With Music.

ACRONYM’s raison d’être is to discover, transcribe, record and give modern premieres of long-forgotten 17th-century musical gems, using period instruments to produce timbres of strange and otherworldly beauty. The group executes this material with sparkling wit, outstanding ensemble and what the New York Times has aptly called “unity of spirit,” which is code for “artistic and interpersonal single-mindedness of purpose with a cherry on top.” (The cherry is camaraderie, which engenders unity and improves the quality of all musical performances.)

The ACRONYM Baroque String Band. Photo: Jeff Weeks

Their onstage camaraderie makes these players a joy to watch in performance, because they know how to elicit the very best from one another with just a glance. They love the music they play and, truth be told, they seem to love one another as well. It matters.

The musicians in ACRONYM wield a rare and wonderful power: By sheer force of beauty, they make uninitiated listeners fall in love with music they’ve never heard before and know nothing about. To borrow an expression from the pop music world, they know how to sell a song.

spot_img

The Edge Is Free To Read.

But Not To Produce.

Continue reading

MAHLER FESTIVAL: First day, First Symphony

I came to Amsterdam to listen to all of Gustav Mahler’s 10 symphonies by some of the world’s greatest orchestras, one each day, consecutively, and his ‘Song of the Earth’, but especially the four movements that comprise his First Symphony.

CONCERT REVIEW: An airy spirit comes to Earth, with flutes, at Tanglewood

While audiences come to concerts expecting to hear a selected menu of scores played as written by (frequently) absent composers, here we were confronted with a totally integrated experience of instrumental and vocal sound, many spontaneously created, as well as lights, body movement, and theater.

THEATER REVIEW: ‘Ragtime’ plays at Goodspeed Musicals through June 15

This is one piece of theater no one should ever miss, and this production is about as good as it will ever get.

The Edge Is Free To Read.

But Not To Produce.