I have never scrubbed a backsplash, nor can I remember ever wiping a significant splash off a backsplash. And I’ve never known anyone who’s had a backsplash disaster. So — why are we so glued to the tile concept when considering backsplash options?
Recently I was asked what the grout line width should be in a backsplash, and whether the grout must be an epoxy grout to prevent staining. My opinion was that it really didn’t matter. However, I had to wonder — what went on in that kitchen? Was it one of the chaotic commercial kitchens described by the late, great Anthony Bourdain in Kitchen Confidential? Still, some clients insist on a surface that can withstand a 3-year-old with a baseball bat. We can certainly create that — but let’s be sure it looks good and functions well.
On the other hand, let’s consider some options. For one kitchen backsplash, we selected a commercially-rated, wood-grain flooring material, impervious to everything, with a distinctive, dark grout. It looks great: clean, vertical lines with a wood grain accent.
Another client fell in love with an expensive light blue fabric that I had selected as part of their sofa pillow mix. She asked if we could use this fabric on the backsplash. My initial instinct was no, but I hesitated. We’ve learned, over and over, that what seems like a crazy idea can lead to a brilliant concept. Could this work?
I considered ways to make it work: laminating the fabric would give the material a coated cleanable surface, which we would install like wallpaper. Not ideal, but what about glass? Yes: ½” thick glass would provide an impervious finish (better looking than ¼” or 3/8”- size). But there was another challenge: wicking. If that glass and fabric met the countertop, water could seep up behind the glass into the fabric: disaster. So, we designed a simple ½” shoulder from the stone countertop, and the glass rests on this small, nearly invisible raised element. It worked and there it sits. It is probably one of the most effective and dramatic backsplashes we have ever done. This is a perfect example of why I listen to my clients’ “crazy” ideas — often they are brilliant.
Clearly, backsplashes can be anything, everything or nothing at all, so you can explore lots of options for materials. Shiplap wood, painted in a satin finish, with or without a gap between pieces, is beautiful. Large format tiles are fun, but should always be flush with the corners and drywall.
For a dramatic impact, slab stock stone that wraps the counter and up the wall is impossible to stain and can be finished with olive oil; baking soda or sandpaper can eliminate any fine etching. Subway tile is classic, and works in many kitchens. Fabric, or a dramatic paint color, behind ½” glass gives you a striking feature. Properly detailed, this is a great effect and can be the star of the kitchen show.
The origami effect can be achieved with various materials, installed in a variety of planes. This sculptural effect is completely unique and interesting. Typically, it’s used in secondary spaces away from the sink or range.
An uncased, thermopane window is my favorite backsplash, as it brings in light and the outdoors. We’ve done many of these — and our fantasy kitchen has only windows as “backsplashes.”
As for the details, here are some examples and guidelines:
- If you are tiling, don’t wrap your countertop material up the wall 4” — it’s like wearing argyle socks with shorts. Bring the backsplash material right down to the counter — it’s a much better look.
- Don’t interrupt your backsplash with switches, outlets and old-fashioned phone jacks. Instead, run a plug mold on the underside of your cabinets or shelving. You will have more plugs, they will be hidden and closer to where you need them.
- If you have no upper counters or shelving in a section, keep the outlets discreet by placing them very low, horizontal and in a finish that merges into the splash.
- The switches for under-cabinet lights? Place them on the underside of the shelf or cabinet. After the first day, you will always know where to find them. Or, in the case of a full renovation, put that switch with the bank of kitchen switches on the wall. You can even connect it to the same switch as your kitchen light.
And remember, no idea is too outlandish to consider.
A colleague who worked in my office for several years was a fine artist with multiple talents, but she had not a second of formal interior design training. She often proposed the most outlandish ideas. My responses were often these: “How do you expect us to execute that, Nancy?” “That is totally impossible!” “Do you know what that would cost?” “That will get us fired for sure!”
In fact, her ideas were brilliant and we often delved into them a couple of days after I had shot them down, and we made them work. These out-of-the-box concepts represent some of our best work — they are truly creative.