Tuesday, May 20, 2025

News and Ideas Worth Sharing

HomeArts & EntertainmentPREVIEW: Tanglewood’s adventurous...

PREVIEW: Tanglewood’s adventurous 2019 Festival of Contemporary Music

Considered as a whole, Festival of Contemporary Music works are always as fascinating as music (or sound design) gets—challenging, too.

Lenox — Every summer, intrepid musical adventurers from around the globe converge on Lenox, Massachusetts, to attend the Tanglewood Music Center’s annual Festival of Contemporary Music. It’s a five-day series of performances given mainly by fellows of the Tanglewood Music Center. Many of the works they perform are world or U.S. premieres, and some are TMC commissions. Considered as a whole, FCM works are always as fascinating as music (or sound design) gets—challenging, too. This year’s Festival of Contemporary Music runs from Thursday, Aug. 8, through Monday, Aug. 12. Thomas Adès is the festival’s director. (One of his pieces will close the festival.)

Here are some highlights of this year’s festival:

  • Richard Ayres – “The Cricket Recovers” (American premiere)
  • Erika Fox – “Hungarian Rhapsody” (American premiere)
  • Andrew Hamilton – New work (world premiere; TMC commission)
  • Hilda Paredes – “Revelación” (American premiere)
  • Poul Ruders – String Quartet No. 4 (American premiere)
  • Seeger – String Quartet
  • Chaya Czernowin – “Anea Crystal”
  • Andrew Hamilton – “music for people who like art” (American premiere)
  • Nathan Shields – New work (American premiere; TMC commission)
  • Steve Reich – “Radio Rewrite”
  • Thea Musgrave – “Space Play”
  • Oliver Knussen – Piano works
  • Gerald Barry – “Canada” (American premiere)
  • Poul Ruders – Symphony No. 5 (American premiere)
  • Oliver Knussen – “Whitman Settings”
  • Thomas Adès – “Asyla”

In past years, some of the most thrilling moments of the Tanglewood season have come in FCM concerts. Each performance is kind of like a road trip with Mad Max: dangerous, but exhilarating, and just an awful lot of fun.

TICKETS

spot_img

The Edge Is Free To Read.

But Not To Produce.

Continue reading

MAHLER FESTIVAL: First day, First Symphony

I came to Amsterdam to listen to all of Gustav Mahler’s 10 symphonies by some of the world’s greatest orchestras, one each day, consecutively, and his ‘Song of the Earth’, but especially the four movements that comprise his First Symphony.

CONCERT REVIEW: An airy spirit comes to Earth, with flutes, at Tanglewood

While audiences come to concerts expecting to hear a selected menu of scores played as written by (frequently) absent composers, here we were confronted with a totally integrated experience of instrumental and vocal sound, many spontaneously created, as well as lights, body movement, and theater.

THEATER REVIEW: ‘Ragtime’ plays at Goodspeed Musicals through June 15

This is one piece of theater no one should ever miss, and this production is about as good as it will ever get.

The Edge Is Free To Read.

But Not To Produce.