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PREVIEW: E.T. at Tanglewood in Boston Pops live-to-picture show

If you’ve never seen a symphony orchestra perform a movie score in sync with a moving picture, then one of life’s greatest thrills awaits you.

Lenox – Friday, August 25, is your last chance this summer to see Keith Lockhart and the Boston Pops Orchestra perform a live-to-picture concert at Tanglewood as they present John Williams’ Academy Award-winning score to Steven Spielberg’s E.T. The Extra-Terrestrial. It’s the orchestra’s second live-to-picture show of the 2017 Tanglewood season.

In June, when the Pops performed a live-to-picture concert of John Williams’ score to Steven Spielberg’s classic blockbuster Jaws, The Edge provided many frightening technical details  about how the Pops, Mr. Lockhart, and a team of world-renowned engineers pulled it off. It’s scary stuff. Not for the faint of heart. (See also the Pops’ own live-to-picture tutorial.)

During the summer of 2016, Lockhart and the Pops gave an electrifying live-to-picture performance of Williams’ score to Spielberg’s Raiders of the Lost Ark. Everything in that show came together like clockwork. (As a matter of fact, it was clockwork.)

et-kidsmat-345x290If you’ve never seen a symphony orchestra perform a movie score in sync with a moving picture, then one of life’s greatest thrills awaits you. It’s a devilishly difficult technical feat for the performers and an exhilarating entertainment experience for audiences. Guaranteed to amaze.

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PREVIEW: Berkshire Bach Society to screen ‘In the Key of Bach’ at Linde Center on March 21

Following the screening, filmmaker Hilan Warshaw joins BBS artistic director and violinist Eugene Drucker for a conversation about Bach’s life, music, and the ideas behind the documentary.

AT THE TRIPLEX: Predictions for an unpredictable Oscars

These kinds of hard decisions are exactly what you want at the Oscars: nominees so strong that you may be disappointed when something loses, but you won’t be mad about anything winning.

INTERVIEW: Arcis Saxophone Quartet returns to Linde Center with Bach-inspired program on March 22

The Munich-based ensemble returns to the Linde Center with a program pairing Bach fugues with contemporary preludes, creating a musical conversation between Baroque counterpoint and modern composition.

The Edge Is Free To Read.

But Not To Produce.