Tuesday, May 20, 2025

News and Ideas Worth Sharing

HomeArts & EntertainmentPREVIEW: E.T. at...

PREVIEW: E.T. at Tanglewood in Boston Pops live-to-picture show

If you’ve never seen a symphony orchestra perform a movie score in sync with a moving picture, then one of life’s greatest thrills awaits you.

Lenox – Friday, August 25, is your last chance this summer to see Keith Lockhart and the Boston Pops Orchestra perform a live-to-picture concert at Tanglewood as they present John Williams’ Academy Award-winning score to Steven Spielberg’s E.T. The Extra-Terrestrial. It’s the orchestra’s second live-to-picture show of the 2017 Tanglewood season.

In June, when the Pops performed a live-to-picture concert of John Williams’ score to Steven Spielberg’s classic blockbuster Jaws, The Edge provided many frightening technical details  about how the Pops, Mr. Lockhart, and a team of world-renowned engineers pulled it off. It’s scary stuff. Not for the faint of heart. (See also the Pops’ own live-to-picture tutorial.)

During the summer of 2016, Lockhart and the Pops gave an electrifying live-to-picture performance of Williams’ score to Spielberg’s Raiders of the Lost Ark. Everything in that show came together like clockwork. (As a matter of fact, it was clockwork.)

et-kidsmat-345x290If you’ve never seen a symphony orchestra perform a movie score in sync with a moving picture, then one of life’s greatest thrills awaits you. It’s a devilishly difficult technical feat for the performers and an exhilarating entertainment experience for audiences. Guaranteed to amaze.

spot_img

The Edge Is Free To Read.

But Not To Produce.

Continue reading

MAHLER FESTIVAL: First day, First Symphony

I came to Amsterdam to listen to all of Gustav Mahler’s 10 symphonies by some of the world’s greatest orchestras, one each day, consecutively, and his ‘Song of the Earth’, but especially the four movements that comprise his First Symphony.

CONCERT REVIEW: An airy spirit comes to Earth, with flutes, at Tanglewood

While audiences come to concerts expecting to hear a selected menu of scores played as written by (frequently) absent composers, here we were confronted with a totally integrated experience of instrumental and vocal sound, many spontaneously created, as well as lights, body movement, and theater.

THEATER REVIEW: ‘Ragtime’ plays at Goodspeed Musicals through June 15

This is one piece of theater no one should ever miss, and this production is about as good as it will ever get.

The Edge Is Free To Read.

But Not To Produce.