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POEM: The ordinary deconstructed

For the people of Ukraine, today is not like any other day..

Today is not like any other day
nor was yesterday
or several for that matter
for the 44 million citizens
catapulted into terror
stripped of all that
was normal, expected,
routine, ordinary.

Just the other day
someone,
a woman let’s say,
may have been at the nail salon
prior to meeting
friends for lunch
at that favorite café.

Now she sits huddled
clasping her toddler
against her breast
as she nestles in,
closely rubbing shoulders
with strangers
in a make shift bomb shelter.

The now of each moment
is one, the only present;
the past unwrapped
nevermore.

Yet, just for an instant only
she thinks that the other day
she was making a list
of what was needed
at the market,
just as I do.

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The Edge Is Free To Read.

But Not To Produce.

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MAHLER FESTIVAL: First day, First Symphony

I came to Amsterdam to listen to all of Gustav Mahler’s 10 symphonies by some of the world’s greatest orchestras, one each day, consecutively, and his ‘Song of the Earth’, but especially the four movements that comprise his First Symphony.

CONCERT REVIEW: An airy spirit comes to Earth, with flutes, at Tanglewood

While audiences come to concerts expecting to hear a selected menu of scores played as written by (frequently) absent composers, here we were confronted with a totally integrated experience of instrumental and vocal sound, many spontaneously created, as well as lights, body movement, and theater.

THEATER REVIEW: ‘Ragtime’ plays at Goodspeed Musicals through June 15

This is one piece of theater no one should ever miss, and this production is about as good as it will ever get.

The Edge Is Free To Read.

But Not To Produce.