Wednesday, July 9, 2025

News and Ideas Worth Sharing

Poem: Sunset

My mother-in-law is in love,/at 84, Rose found Milt, 86,/in the dementia ward/of Paradise Gardens in/Sarasota, Florida.

Sunset

My mother-in-law is in love,

at 84, Rose found Milt, 86,

in the dementia ward

of Paradise Gardens in

Sarasota, Florida.

They hold hands, eat meals, ensemble,

play “I Spy” in the game room

and take walks, but not too far

as they are in a secure passage,

locked in love for their final dance.

But holding hands and kissing

like teen agers is not enough,

they want permission

to consummate their ardor,

juices still flowing,

brain, still alert to touch and flirting,

muscles want to reach and wrap,

but the doctors and nurses have to approve

sex behind closed doors,

exploring freely with eyes closed,

the inner thigh, the ass, the hot spots,

becoming young again,

running hands over wrinkles and scars,

flab, dry patches and red dots,

a last chance to feel passion better than

blood pressure pills and Xanax,

better than eyes open facing the endless

sameness of their last days,

the regrets of life lived,

the children that don’t visit,

in sex there is just now,

an epiphany that says fuck you to their gatekeepers.

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TANGLEWOOD INTERVIEW: Actors join Boston Symphony Orchestra for theatrical ‘Romeo and Juliet’ concert on Friday, July 11, in the Shed

The theatrical concert version of "Romeo and Juliet" does not feature the ballet’s full score. Instead, it features excerpts Director Bill Barclay selected to support a narrated theatrical experience.

FILM REVIEW: ‘Shoshana’ directed by Michael Winterbottom

Winterbottom is always a competent director, no matter what subject he pursues, so while he doesn’t quite illuminate the politics of the tragic situation he depicts, there is nothing crude about the rendering.

REVIEW: Romanticism’s winding path retraced — Zoltan Fejérvári’s piano recital at Tannery Pond

The first half of this program consisted of two sets of shorter pieces known as "character-pieces," by Dvorak and Janacek, while the second half began with an earlier example from Robert Schumann.

The Edge Is Free To Read.

But Not To Produce.