Friday, December 12, 2025

News and Ideas Worth Sharing

HomeLife In the BerkshiresGARY LEVEILLE: Great...

GARY LEVEILLE: Great Barrington’s Green River Mill

The Great Depression closed the business in 1933 and after falling into disrepair, the mill was bulldozed in 1978.

Most people who gather at the popular Green River swimming hole alongside Route 23 in Great Barrington have no idea that a large mill once towered nearby. The Green River Mill, above, also known as the Kellogg Mill, stood next to the Route 23 bridge. A portion of the structure dated back to the late 1740s when a fulling mill was erected to clean raw materials such as wool for making textiles. Machinery for the actual manufacture of woolens was later installed. Satinets, a finely woven cotton or wool cloth resembling satin, was also made here. About 1880, Charles Kellogg converted the building into a grist mill. The Great Depression closed the business in 1933 and after falling into disrepair, the mill was bulldozed in 1978. An arrow placed in the photograph below marks the site of the mill.

The Green River bridge and former location of the Green River Mill in Great Barrington. Photo courtesy BerkshireArchive.com

–––––––––––––––––––

Note: “THEN and NOW” photos may not be reproduced or published in any manner without written permission from the author.

spot_img

The Edge Is Free To Read.

But Not To Produce.

Continue reading

BITS & BYTES: Amanda Seyfried at Crandell Theatre; Manos Unidas at the Sanctum Gallery; Jewish Federation at The Mount; OLLI at BCC announces winter courses;...

The Crandell Theatre and Shaker Museum present an exclusive, advance screening screening of “The Testament of Ann Lee” followed by a live in-person discussion with Emmy and Golden Globe winner Amanda Seyfried.

BITS & BYTES: WAM Theatre at Ventfort Hall; ‘Mutts Gone Nuts’ at The Colonial; Aston Magna Music Festival at Saint James Place; Spanish language tour...

With humor, artistic-homage, and grace, “Angry, Raucous, and Shamelessly Gorgeous” packs a punch as it explores artistic ownership, generational identity, and jungle-red nail polish.

The Edge Is Free To Read.

But Not To Produce.