Wednesday, May 21, 2025

News and Ideas Worth Sharing

HomeArts & EntertainmentMUSIC REVIEW: Free...

MUSIC REVIEW: Free concert at Tanglewood on a snowy Sunday, Feb. 9

The BSO's 10-day series of free pop-up concerts will culminate Sunday, Feb. 16, at 3 p.m. in a performance at Boston's Symphony Hall under the direction of Thomas Wilkins, BSO Germeshausen Youth and Family Conductor.

Lenox — Who expected a sellout crowd at Tanglewood on a snowy Sunday in the dead of winter? Only the Boston Symphony Orchestra. BSO staff were prepared for traffic jams on Sunday, Feb. 9, with a shuttle running between Tanglewood’s Linde Center for Music and Learning and an overflow parking area at the campus’ main gate. The big draw was a group of the BSO’s finest players: violinist Victor Romanul, violinist Xin Ding, cellist Adam Esbensen and violist Daniel Getz. These are the same musicians who gave killer performances of Kodály and Beethoven on Dec. 1 at the Linde Center. The orchestra’s management scheduled Sunday’s free concert, along with others throughout greater Boston, after the coronavirus epidemic forced the orchestra to cancel its scheduled East Asia tour, which was to run Feb. 6–16.

Sunday’s program consisted of three pieces: Mozart’s Duo for violin and viola, K. 423; the Chaconne from Bach’s Partita in D minor for solo violin (BWV 1004); and Beethoven’s String Quartet No. 10 in E-flat, Opus 74, “Harp.” Xin Ding and Daniel Getz handled the Mozart number with such aplomb that one could easily forget how difficult it is to maintain good ensemble on this piece. It was the same with the Beethoven quartet, which the group performed so sweetly and with such finesse that we could hear the lovelorn Ludwig speaking through the centuries of his unrequited love and constantly broken heart.

The Linde Center for Music and Learning at Tanglewood. Photo: David Noel Edwards

Victor Romanul specializes in J. S. Bach’s sonatas and partitas for solo violin. He has memorized all of them, and sometimes he performs the complete set in a single recital. So he was rather well-prepared to play the Chaconne from the D minor Partita on Sunday afternoon. Likewise, the savvy crowd was well-prepared to hear it, judging by the way they stood and clapped at the end. They knew that more violinists attempt this piece than are able to actually carry it off. But Mr. Romanul does quite a bit better than carry it off. He plays it as passionately as you’re ever likely to hear it — with accuracy of intonation that rivals all rivals. It will be difficult to find even a celebrated virtuoso who plays Bach’s D minor Chaconne better than Victor Romanul.

*     *     *     *     *

The BSO’s 10-day series of free pop-up concerts will culminate Sunday, Feb. 16, at 3 p.m. in a performance at Boston’s Symphony Hall under the direction of Thomas Wilkins, BSO Germeshausen Youth and Family Conductor.

spot_img

The Edge Is Free To Read.

But Not To Produce.

Continue reading

The Egremont Barn storms back, with new owners and big plans

"This is a community place, and that’s why we bought it, because we believe in community and we believe in providing that," said new co-owner of The Barn Heather Thompson. "We’re really, really excited.”

MAHLER FESTIVAL: First day, First Symphony

I came to Amsterdam to listen to all of Gustav Mahler’s 10 symphonies by some of the world’s greatest orchestras, one each day, consecutively, and his ‘Song of the Earth’, but especially the four movements that comprise his First Symphony.

CONCERT REVIEW: An airy spirit comes to Earth, with flutes, at Tanglewood

While audiences come to concerts expecting to hear a selected menu of scores played as written by (frequently) absent composers, here we were confronted with a totally integrated experience of instrumental and vocal sound, many spontaneously created, as well as lights, body movement, and theater.

The Edge Is Free To Read.

But Not To Produce.