Monday, January 20, 2025

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Carolyn and Eli Newberger

Carolyn Newberger is an artist, child psychologist, and musician (flute and jazz washboard) whose deep concerns for people and their lives drive her work. Her drawings, paintings and collage have achieved recognition and awards in juried and solo exhibitions. Carolyn went to Sarah Lawrence College and received her doctorate from Harvard, after two years in Burkina Faso with the Peace Corps. As a psychologist, Carolyn developed an influential theory of parental consciousness that continues to frame family studies and efforts to prevent child abuse. Her research and teaching at Harvard Medical School and Boston Children’s Hospital, and her ability clearly and soundly to address such subjects as parental discipline, sexual abuse, and domestic violence, attract respect and notice by clinicians and media alike. Called often as an expert on television news, she appeared twice on the Oprah Winfrey show and has published widely in both the scientific and popular press. Carolyn’s art is represented by Galatea Fine Arts in Boston, Massachusetts and she performs regularly on jazz washboard with Eli and the Hot Six. To learn more about Carolyn and to view her art, visit her website at www.carolynnewberger.com. After Yale College, where he was a Scholar of the House in music theory, Eli Newberger received his M.D. from Yale Medical School. He went from Peace Corps service in Burkina Faso, West Africa, to pediatric training at Boston Children’s Hospital, where over 30 years he founded and directed the Child Protection and Family Development Programs. In addition to eight books and more than 100 articles in the medical field, he applied techniques of musical analysis to the development of jazz piano style, reporting his findings in the Journal of Jazz Studies and Annual Review of Jazz Studies. Newberger’s book on strengthening the characters of boys and men, “The Men They Will Become” (Da Capo Books) appeared along with a jazz CD of the same title with pianist, Butch Thompson, and banjo/vocalist Jimmy Mazzy (Stomp Off Records). An active performer on piano and tuba, Newberger cofounded the New Black Eagle Jazz Band in 1970 and played piano and tuba with them for 31 years. With over 40 recordings to his credit, he won three national readers’ polls for best jazz tuba player. All of Newberger’s past musical publications and reviews, many medical articles, and numerous lectures and musical performances, may be found on his website. ( www.elinewberger.com ) Eli & The Hot Six, an all-star traditional jazz band, released its CD, "Contemporary Classic Jazz," ( https://www.cdbaby.com/elithehotsix ) at a sold-out concert, noted in the Boston Globe, at Scullers Jazz Club on Boston in 2015. The Hot Six are renowned in the Northeast for their heartfelt and virtuosic interpretations of the jazz age songbook: Bob Winter, the Boston Pops pianist, Bo Winiker, trumpet, bandleader, and frequent Boston Pops Conductor, Jimmy Mazzy, banjo and vocals, Ted Casher, clarinet and saxes, Herb Gardner, trombone, and Bob Tamagni, professor of percussion at Berklee College of Music. Eli's 75th birthday celebration at Scullers featured an All-Gershwin program, noted with a pictorial article in the Boston Globe (https://www.bostonglobe.com/lifestyle/2015/12/28/tuba-hand-acclaimed-physician-eli-newberger-delights-his-first-passion/Bw3NRBiZpquTRTH3wtGXlK/story.html )with Carolyn Newberger featured as guest washboard wizard.

written articles

DANCE REVIEW: “Pixel,” a hip-hop spectacular by Compagnie Kafig at Jacob’s Pillow

Walking out of the theater, we heard an audience member exclaim, “Too much, already.” On the other hand, how can you have too much of such a good thing?

Hip-Hop at Jacob’s Pillow: A glorious, swinging, amalgam of music, dance, and affecting stories

This was where the audience started becoming part of the show, bouncing in their seats, clapping to the beat, and after the curtain finally, finally came down, with the music still piping in, young and old dancing in the aisles and out the exits.

DANCE REVIEW: Unity of music, dance, violence, and hope in Oona Doherty OD Works at Jacob’s Pillow

Before the performance, a “happening“ occurred outside the Ted Shawn Theater at Jacob's Pillow. A crowd, forewarned, had gathered in anticipation.

Refreshing winds from Hubbard Street Dance Chicago at Jacob’s Pillow

"In the end, shed from their baggy garb, the troupe clapped together as the music intensified in meter and jazzy cross-rhythms. Moving forward to center stage, they formed a gracious horizontal line, smiling and bowing at the audience as it rose in admiration and shouts of thanks."

Capsizing the dance class with humor and jazz — Dance Heginbotham at Jacob’s Pillow

"As the underlying propulsions sustain, and the keys changes upward in rapid half-steps, the dancers regress to their inner gymnasts with cartwheels, sudden linear formations, explosive jumps, pirouettes, and Radio City kicks. They lean together gleefully, bouncing on the balls of their feet, and the audience rises in a clamorous ovation."

DANCE REVIEW: Black Grace stuns Jacob’s Pillow

Soaring Samoan expressions of communalism and devotion

DANCE REVIEW: From Mardi Gras to Mourners’ Kaddish at Jacob’s Pillow

Two companies, Music From The Sole and the Jose Limón Company, deeply reflect both celebration and loss.

From slavery to rhapsody: Urban Bush Women walk with Coltrane at Jacob’s Pillow

True to Coltrane’s inspiration, this performance emerged in real time, an improvisation over a structure of African-American historical and musical narrative, danced with ensemble choruses, interspersed with solos and duos supported by the ensemble, and framed by projections depicting the course and realities of African- American experience.

A Native American consecration at Jacob’s Pillow: Into the stars with Red Sky Performance

Truly, this vast space was filled with love as well. Performers from New Zealand to Hawaii, from British Columbia to South Dakota to the Berkshires, thrilled us with a generous display of their indigenous song and dance traditions.

DANCE REVIEW: ‘THE DAY’: A requiem for 9/11

These spoken words, along with Lang’s keening cello score played by Maya Beiser and the unfurling movements of Wendy Whelan (choreographed by Lucinda Child), mourns with devastating understatement the magnitude of loss when the Twin Towers fell Sept. 11, 2001, turning to ashes all those living, breathing, feeling, innocently unaware, engaging lives within.

A sublimely orchestral ‘Walküre’: Andris Nelsons and the Tanglewood Music Center Fellows in an instrumental story

Where the “Walküre” singers were mainly from older generations, the orchestra’s members, drawn from colleges and conservatories around the world, pulled from their guts a distinctive, youthful passion and addressed Wagner’s challenging score with aggressive aplomb.

‘It isn’t a word thing, it’s a dance thing’: Mark Morris delights at Jacob’s Pillow

The essence of Mark Morris’s art is ineffable, most emphatically not based on formulas and established narrative tropes. Rather, its genius is its ability to draw us in.

Andris Nelsons reaches for the heavens at Tanglewood: Opolais and the Festival Chorus in a divine Verdi ‘Requiem’

Through Verdi’s affecting search for the meaning of life and the devastation of loss, the Tanglewood Festival Chorus served brilliantly as a Greek chorus of legend.

An exaltation of Bach in the hands of Hilary Hahn: Virtuoso marvels in Tanglewood’s Ozawa Hall

It is not an exaggeration to suggest that, for many devotees in the audience, this experience was indeed like being in a cathedral, with the voices coming from the stage reaching to the heavens above as well as into their hearts.

Transcendent Mozart and challenging Mahler on Tanglewood’s opening night

The selection of the evening’s works was also fitting to the moment of new meets old, in that just prior to writing them, both Mozart and Mahler had immersed themselves in the music of Johann Sebastian Bach, the better to hone their comprehension and execution of the counterpoint of which he was and remains the supreme master.
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