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AUDIOBOOKS: Traveling across the globe and beyond

This week we travel to Africa, France, the coast of Massachusetts and Mars.

This week we travel to Africa, France, the coast of Massachusetts and Mars.

How We’ll Live on Mars: A TED Original
Written and read by Stephen L. Petranek
Simon & Schuster Audio; two CDs; two hours; $14.99/audible.com download, $10.49

This audiobook is based on a TED talk by Petranek, the former editor of Discover magazine and the current editor of Breakthrough Technology Alert. He predicts that, in 2027, humans, using privately owned aircraft, will land on Mars. His arguments sound plausible as he discusses the cost, safety, isolation and risks of such a trip, as well as the technologies needed to colonize the planet and make it habitable. Petranek is an engaging speaker and clearly explains his theory. Correct or not, it is a fascinating Plan B for our ever-expanding population. Grade: A-minus

The Little Paris Bookshop
Nina George; read by Steve West and Emma Bering with Cassandra Campbell
Random House Audio; nine CDs; 11 hours; $40/audible.com download, $28

Calling himself a “literary apothecary,” Monsieur Perdu heals broken hearts and tortured souls from his floating bookstore in a barge. As he drifts along France’s rivers, Perdu uses intuition and a profound knowledge of human suffering to enhance the lives of his customers, his friends and finally himself. Reserving his French accent for the dialogue, West gently takes us on this lovely, adult journey without killing it with quirkiness. He reads most of the audiobook, though Bering and Campbell do enhance our enjoyment when they appear by adding emotional depth. A PDF is included with recipes and “Jean Perdu’s Emergency Literary Pharmacy” for what ails you. Grade: A-minus

The Handsome Man’s Deluxe Cafe
Alexander McCall Smith; read by Lisette Lecat
Recorded Books; nine CDs; 9.75 hours; $34.99/audible.com download, $24.49

In this 15th installment of the Ladies No. 1 Detective Agency mysteries, Mma Ramotswe is trying to solve the mystery of a woman who lost her memory. Her business partner, Grace Makutsi, has decided to branch out on her own and open the Handsome Man’s Deluxe Café, to very mixed results. Smith is a charming writer, but there was very little mystery and, while this is a breezy and fun listen, it is also rather inconsequential. Narrator Lecat, however, is a treasure. A native of South Africa, her Botswanan characters sound authentic and she adapts her deep, lush voice to suit each individual, capturing their humor, introspection and occasional agitation. Grade: B-plus

Blueprints
Barbara Delinsky; read by Amy Rubinate
Macmillan Audio; 11 CDs; 13.5 hours, $39.99/audible.com download, $27.99

The best thing going for this tale of a mother and daughter at odds with each other is Rubinate, who is an engaging narrator. Her manner is warm and she has an array of speech patterns that give the story character and help it to resonate with feeling. However, there just isn’t much happening in the novel. There is a lot of family tension, some of which does not feel believable, and a tragedy that changes the lives of several characters in a coastal New England town. Because we are not fully engaged in their lives, and because the pace is so plodding, we can’t much care. Grade: C

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MAHLER FESTIVAL: First day, First Symphony

I came to Amsterdam to listen to all of Gustav Mahler’s 10 symphonies by some of the world’s greatest orchestras, one each day, consecutively, and his ‘Song of the Earth’, but especially the four movements that comprise his First Symphony.

CONCERT REVIEW: An airy spirit comes to Earth, with flutes, at Tanglewood

While audiences come to concerts expecting to hear a selected menu of scores played as written by (frequently) absent composers, here we were confronted with a totally integrated experience of instrumental and vocal sound, many spontaneously created, as well as lights, body movement, and theater.

THEATER REVIEW: ‘Ragtime’ plays at Goodspeed Musicals through June 15

This is one piece of theater no one should ever miss, and this production is about as good as it will ever get.

The Edge Is Free To Read.

But Not To Produce.